20世纪60年代，从战争阴影中走出的日本进入复苏的第十个年头，而社会也有此进入动荡不安的阶段，各种思潮激烈碰撞，人人都在时代的迷雾中失去方向。在共产主义思想蔚然成风之际，推崇新民主主义的学生持丸博（涉川清彦 饰）、森田必胜（满岛真之介 饰）等人走到一起。以此为契机，他们结识了业已成名的战后日本文学界代表人物三岛由纪夫（井浦新 饰）。三岛推崇“尊皇讨奸”的复古思想，强力鼓吹自卫队重拾大和民族和武士阶级的自豪感。然而他的声音除了其所成立的楯之会热血青年应声附和外，鲜少得到认同。 　　跨越了波澜澎湃的十年，1970年11月25日这天，看不到未来的三岛带着森田、古贺浩靖（岩间天嗣 饰）、小贺正义（永冈佑 饰）、小川正洋（铃之助 饰）等4名年轻人，朝着人生最重要的时刻迈进……

This BBC produced documentary about Yukio Mishima highlights the many known major aspects of his life and personality. Mishima was a pen name he adopted en route to his chosen life as a writer. He eventually became recognized as one of Japan's most prolific post-World War II writers, producing stories, plays and novels. He became tortured by his bisexuality/homosexuality and shyness around people as a young man. Both of these played a role in his work as did many other eventful occurrences throughout his life. Mishima had an admirable dedication to the forgotten samurai way of life and ideals, which later turned into an unhealthy obsession, culminating in the storming of a general's garrison on November 25, 1970. It was Mishima's way of combining beauty, art, and action; ultimately the garrison forced to assemble and listen to his speech on that day rejected him. Mishima gave his life for his ideals, however misguided and twisted one might think him to be. His literary output of 40 novels, 18 plays (both for Noh and Kabuki theater), 20 books of short stories, 20 books of essays, and a film remain a testament to his talent despite his simultaneous tendency, at times, to be commercial, controversial, and unconventional.

1970年，为强迫军队听其发表的劝说军人恢复日本昔日荣誉和“纯洁”的讲话，日本右翼作家三岛由纪夫将真下将军扣留为人质。但他的讲话却遭到军人们的嘲笑…

东京的平凡角落，普普通通的佐藤家兄妹相守度日。初中毕业干起修路工大哥佐藤旭（妻夫木聪 饰）凭一己之力拉扯弟妹长大，因共同的爱好他和美丽善良的盒饭店服务员泽边梓（苍井优 饰）走到一起。当年因诈骗入狱的老二晓（瑛太 饰）重获自由，几经辗转在受害者的女儿屋代多香子（长泽雅美 饰）的田里帮忙。唯一一个女孩阿光（满岛光 饰）担任妇产科护士，与和大哥从小一起长大的医生新城正臣（吉冈秀隆 饰）发展出不伦关系。热爱表演不惜放弃学业的佐藤阳（柄本佑 饰）和弟弟旦（野村周平 饰）同在一个学习班的女孩永原香澄（桥本爱 饰）偶然相逢，他将这个擅长表演的女孩拉入自己的剧团。 　　佐藤家的孩子执拗善良，冲动率真，兄妹们用各自的人生为新世纪的年轻人们写下注脚……

内山によるオリジナル脚本をもとに、重くのしかかる家族の問題と自身の人生とのはざまでもがき苦しむ兄弟の姿を描いた本作。主人公は死んだ父の借金返済に追われ、難病の母を介護しながら、昼は工事現場、夜は両親が開いたカラオケバーで働く風間彩人だ。弟の壮平は父の背中を追って始めた総合格闘技の選手として練習に明け暮れる。息の詰まるような生活に蝕まれながらも、恋人とのささやかな幸せを願う彩人。しかし、彼らの日常は、親友の結婚を祝う宴会の夜、思いもよらぬ暴力によって壊れていく。

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... 　　 　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. 　　 　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. 　　 　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. 　　 　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

本作は東京で生きる若者の“人生最大の恋”、そして何者にもなれぬまま大人になっていくことへの葛藤を描く青春譚。

本作は東京で生きる若者の“人生最大の恋”、そして何者にもなれぬまま大人になっていくことへの葛藤を描く青春譚。

欧内斯特（迈克尔·珊农 Michael Shannon 饰）同儿子杰罗姆（柯蒂·斯密特-麦菲 Kodi Smit-McPhee 饰）、女儿马莉（艾丽·范宁 Elle Fanning 饰）一起过着相依为命的生活，虽然经济拮据生活清苦，但一家人好歹紧紧的联结在一次，互相支撑着，鼓励着。 　　欧内斯特拿出了家里最后的一点点钱买了一头机器骡子，他和杰罗姆牵着骡子给在山上工作的矿工们运送口粮，以此获得报酬维持生计，可以这么说，这头破败不堪的骡子是全家人最后的希望了。费莱姆（尼古拉斯·霍尔特 Nicholas Hoult 饰）一直将欧内斯特一家人视作眼中钉肉中刺，只因为他们目前居住的那一片土地曾经属于自己的父亲。这一次，费莱姆将复仇的目标放到了落单的马莉的身上。